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About: smlgff

Posts by smlgff:

  • Narratives of reflection: how Ukrainian cinema is reviving and reinterpreting the 1990s Posted on December 7, 2023 by Sam Goff in Essay
  • Bread and Salt: Damian Kocur’s portrait of small-town Poland at war with itself Posted on November 30, 2023 (December 7, 2023) by Sam Goff in Interview
  • Soviet redux: personal and political collide in two recreations of the Stalinist past Posted on November 23, 2023 by Sam Goff in Essay
  • “A film that watches you”: Hungary’s Ádám Császi on the politics of Roma representation Posted on November 16, 2023 by Sam Goff in Interview
  • The Klassiki Companion: Márta Mészáros Posted on November 7, 2023 by Sam Goff in The Companion
  • Invisible republic: capturing Artsakh on film, from frozen conflict to mass emigration Posted on November 2, 2023 (November 20, 2023) by Sam Goff in Essay
  • The Watchlist: Happy Halloween Posted on October 26, 2023 by Sam Goff in The Watchlist
  • In search of Ruritania: silent cinema, the Western gaze, and a fantasy Balkan kingdom Posted on October 19, 2023 (October 19, 2023) by Sam Goff in Interview
  • The Watchlist: Klassiki Picks with Peter Bradshaw Posted on October 12, 2023 (October 12, 2023) by Sam Goff in The Watchlist
  • What We Shared: bringing the bitter history of Abkhazia to the screen with Kamila Kuc Posted on October 5, 2023 (October 26, 2023) by Sam Goff in Interview
  • Teona Strugar Mitevska bares all in her Covid allegory 21 Days Until the End of the World Posted on September 28, 2023 (October 5, 2023) by Sam Goff in Interview
  • Bakhtyar Khudojnazarov’s Brother and the search for modern Tajik cinema Posted on September 21, 2023 (September 28, 2023) by Sam Goff in Interview
  • Šimon Holý on And Then There Was Love…, his improvised take on modern heartbreak Posted on September 12, 2023 (September 21, 2023) by Sam Goff in Interview
  • Ukraine’s Freefilmers on anti-capitalism, resistance, and “decolonial cinema” Posted on August 31, 2023 (September 12, 2023) by Sam Goff in Interview
  • Kung fu gospel: Estonian eccentric Rainer Sarnet returns with The Invisible Fight Posted on August 24, 2023 (August 31, 2023) by Sam Goff in Interview
  • The Klassiki Companion: The Yugoslav Black Wave Posted on August 17, 2023 by Sam Goff in The Companion
  • “The interesting stories are yet to come”: how Kosovo’s female directors went global Posted on August 10, 2023 (August 17, 2023) by Sam Goff in Essay
  • “Our own national tragedy”: Andrei Kutsila on the crisis for independent Belarusian film Posted on August 3, 2023 (August 10, 2023) by Sam Goff in Interview
  • Past and present collide at Karlovy Vary as eastern Europe’s finest festival returns Posted on July 27, 2023 by Sam Goff in Festival Report
  • Marching to the new beat: rising critics review Golden Apricot highlights Posted on July 20, 2023 (July 20, 2023) by Sam Goff in Review
  • From wartime Bosnia to feudal Japan: rising critics review Golden Apricot highlights Posted on July 17, 2023 by Sam Goff in Review
  • Underground fairy tales: Kote Kalandadze explores Tbilisi’s dark side in The Drummer Posted on July 13, 2023 (July 17, 2023) by Sam Goff in Interview
  • The poetry of insubordination: on Tengiz Abuladze’s “trilogy of truth” Posted on June 29, 2023 (June 29, 2023) by Sam Goff in Essay
  • The Watchlist: Summertime Cinema Posted on June 22, 2023 by Sam Goff in The Watchlist
  • “Moments of paradise”: Sergei Dvortsevoy’s stories from the post-Soviet fringe Posted on June 8, 2023 (June 22, 2023) by Sam Goff in Interview
  • The Watchlist: Klassiki Picks with Mark Cousins Posted on June 1, 2023 (June 1, 2023) by Sam Goff in The Watchlist
  • The Klassiki Companion: The Polish Film School Posted on May 25, 2023 by Sam Goff in The Companion
  • The Watchlist: Cannes classics Posted on May 18, 2023 (May 20, 2023) by Sam Goff in The Watchlist
  • Native Edition: reflections on indigenous cinema in the post-Soviet space Posted on May 11, 2023 (May 18, 2023) by Sam Goff in Interview
  • Kyrgyzstan’s Aktan Arym Kubat confronts home truths in This Is What I Remember Posted on May 4, 2023 (May 11, 2023) by Sam Goff in Interview
  • Where next for “post-Soviet” film? goEast Festival curators on working through war Posted on April 27, 2023 (May 4, 2023) by Sam Goff in Interview
  • Intuitive information: composer Juliet Merchant on scoring Soviet silent films Posted on April 20, 2023 (April 20, 2023) by Sam Goff in Essay
  • Mstyslav Chernov discusses filmmaking under fire for his 20 Days in Mariupol Posted on April 6, 2023 (April 20, 2023) by Sam Goff in Interview
  • The Klassiki Companion: The Romanian New Wave Posted on April 4, 2023 (April 4, 2023) by Sam Goff in The Companion
  • Goran Stolevski delves into his Balkan folk-horror hybrid You Won’t Be Alone Posted on March 9, 2023 (April 6, 2023) by Sam Goff in Interview
  • A well for the thirsty: folklore and decolonisation on the Ukrainian screen Posted on March 2, 2023 (March 2, 2023) by Sam Goff in Essay
  • The Watchlist: Ukrainian Poetic Cinema Posted on February 23, 2023 by Sam Goff in The Watchlist
  • Road to nowhere: Sergei Loznitsa and Russia’s wartime ghosts Posted on February 16, 2023 (February 16, 2023) by Sam Goff in Essay
  • Shengelaia at 90: personal reflections on a Georgian film icon Posted on February 9, 2023 (June 6, 2023) by Sam Goff in Interview
  • The Watchlist: Documentaries of the Soviet Avant-garde Posted on February 2, 2023 (February 4, 2023) by Sam Goff in The Watchlist
  • Faith in images: the post-war visions of Miklós Jancsó and István Szőts Posted on January 19, 2023 (February 3, 2023) by Sam Goff in Essay
  • The Klassiki Companion: Kira Muratova Posted on January 12, 2023 (February 2, 2023) by Sam Goff in The Companion
  • The Watchlist: Winter Wonders Posted on December 22, 2022 (November 27, 2023) by Sam Goff in The Watchlist
  • The Klassiki Companion: Baltic poetic documentary Posted on December 15, 2022 (February 2, 2023) by Sam Goff in The Companion
  • “Still the second sex”: A Room of My Own and female intimacy in today’s Georgia Posted on December 8, 2022 (February 3, 2023) by Sam Goff in Interview
  • Fractured love stories: Farewells and the surreal film career of Wojciech Has Posted on December 1, 2022 (February 2, 2023) by Sam Goff in Essay
  • Laila Pakalniņa on the making of Dawn, her fever dream of Soviet film history Posted on November 3, 2022 (February 3, 2023) by Sam Goff in Interview
  • Falling through rugs: Jirtdan and the rediscovery of Azerbaijani animation Posted on October 13, 2022 (June 6, 2023) by Sam Goff in Essay
  • Persian poetry: the rise and fall of Tajikistan’s post-Soviet film culture Posted on October 6, 2022 (November 3, 2022) by Sam Goff in Essay
  • A film archivist takes us inside the battle to save Ukraine’s Dovzhenko Centre Posted on September 23, 2022 (October 6, 2022) by Sam Goff in Essay
  • “The noise grows loud”: how Juris Podnieks captured Latvia’s perestroika generation Posted on August 11, 2022 (June 6, 2023) by Sam Goff in Essay
  • The Politics of Watching: documentary visions of the Ukrainian East Posted on July 14, 2022 (June 6, 2023) by Sam Goff in Essay
  • Nora Martirosyan and Garegin Papoyan on filming the ironies of Stepanakert airport Posted on May 26, 2022 (June 6, 2023) by Sam Goff in Interview
  • Landscapes of Collective Fate: the political resonances of nature in Armenian cinema Posted on May 19, 2022 (June 6, 2023) by Sam Goff in Essay
  • Armenia’s Hemingway: the literary gifts and cinematic legacy of Hrant Matevosyan Posted on May 12, 2022 (June 6, 2023) by Sam Goff in Essay
  • Julia Blue’s Roxy Toporowych on wartime romance and the Ukrainian diaspora Posted on April 14, 2022 (June 6, 2023) by Sam Goff in Interview
  • Actor Yura Borisov on working with Kirill Serebrennikov and Covid-era shoots Posted on February 16, 2022 (June 6, 2023) by Sam Goff in Interview
  • Time’s Tricks: fantasy and reality in Kirill Serebrennikov’s Petrov’s Flu Posted on February 16, 2022 (June 6, 2023) by Sam Goff in Essay
  • How Soviet audiences fell in love with Sherlock Holmes Posted on December 30, 2021 (June 6, 2023) by Sam Goff in Essay
  • Lev Kuleshov: the man who taught Soviet film to change the world Posted on November 25, 2021 (June 6, 2023) by Sam Goff in Essay
  • Sakha Film: an interview with Dmitry Davydov Posted on November 4, 2021 (June 6, 2023) by Sam Goff in Interview
  • Sakha Film: the history of a post-Soviet cultural phenomenon Posted on October 21, 2021 (September 4, 2023) by Sam Goff in Essay
  • Sakha’s amateur film stars Zoya Popova and Stepan Petrov in their own words Posted on October 14, 2021 (June 6, 2023) by Sam Goff in Interview
  • Actor Maks Sukhanov on his career as Russia’s cinematic tough guy Posted on October 7, 2021 (June 6, 2023) by Sam Goff in Interview
  • Sergei Livnev on the wild 90s and returning to directing after 25 years Posted on August 31, 2021 (June 6, 2023) by Sam Goff in Interview
  • Ali Khamraev and the idea of the Soviet auteur Posted on August 24, 2021 (June 6, 2023) by Sam Goff in Essay
  • “Antonioni told me to sleep less”: Uzbek maestro Ali Khamraev on his unlikely career Posted on August 18, 2021 (June 6, 2023) by Sam Goff in Interview

Recent Posts

  • Narratives of reflection: how Ukrainian cinema is reviving and reinterpreting the 1990s
  • Bread and Salt: Damian Kocur’s portrait of small-town Poland at war with itself
  • Soviet redux: personal and political collide in two recreations of the Stalinist past
  • “A film that watches you”: Hungary’s Ádám Császi on the politics of Roma representation
  • The Klassiki Companion: Márta Mészáros

Recent Comments

  • How Soviet audiences fell in love with Sherlock Holmes — Russia — England MCPU Portal on How Soviet audiences fell in love with Sherlock Holmes

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