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About: smlgff

Posts by smlgff:

  • From the edge towards the centre: Goran Stolevski on his Balkan folk-horror hybrid You Won’t Be Alone Posted on March 9, 2023 by Sam Goff in Interview
  • A well for the thirsty: folklore and decolonisation on the Ukrainian screen Posted on March 2, 2023 (March 2, 2023) by Sam Goff in Essay
  • The Watchlist: Ukrainian Poetic Cinema Posted on February 23, 2023 by Sam Goff in The Watchlist
  • Road to nowhere: Sergei Loznitsa and Russia’s wartime ghosts Posted on February 16, 2023 (February 16, 2023) by Sam Goff in Essay
  • Shengelaia at 90: personal reflections on a Georgian film icon Posted on February 9, 2023 (February 9, 2023) by Sam Goff in Interview
  • The Watchlist: Documentaries of the Soviet Avant-garde Posted on February 2, 2023 (February 4, 2023) by Sam Goff in The Watchlist
  • Faith in images: the post-war visions of Miklós Jancsó and István Szőts Posted on January 19, 2023 (February 3, 2023) by Sam Goff in Essay
  • The Klassiki Companion: Kira Muratova Posted on January 12, 2023 (February 2, 2023) by Sam Goff in The Companion
  • The Watchlist: Winter Wonders Posted on December 22, 2022 (December 27, 2022) by Sam Goff in The Watchlist
  • The Klassiki Companion: Baltic poetic documentary Posted on December 15, 2022 (February 2, 2023) by Sam Goff in The Companion
  • “Still the second sex”: A Room of My Own and female intimacy in today’s Georgia Posted on December 8, 2022 (February 3, 2023) by Sam Goff in Interview
  • Fractured love stories: Farewells and the surreal film career of Wojciech Has Posted on December 1, 2022 (February 2, 2023) by Sam Goff in Essay
  • Laila Pakalniņa on the making of Dawn, her fever dream of Soviet film history Posted on November 3, 2022 (February 3, 2023) by Sam Goff in Interview
  • Falling through rugs: Jirtdan and the rediscovery of Azerbaijani animation Posted on October 13, 2022 (October 20, 2022) by Sam Goff in Essay
  • Persian poetry: the rise and fall of Tajikistan’s post-Soviet film culture Posted on October 6, 2022 (November 3, 2022) by Sam Goff in Essay
  • A film archivist takes us inside the battle to save Ukraine’s Dovzhenko Centre Posted on September 23, 2022 (October 6, 2022) by Sam Goff in Essay
  • “The noise grows loud”: how Juris Podnieks captured Latvia’s perestroika generation Posted on August 11, 2022 (October 13, 2022) by Sam Goff in Essay
  • The Politics of Watching: documentary visions of the Ukrainian East Posted on July 14, 2022 (July 27, 2022) by Sam Goff in Essay
  • Nora Martirosyan and Garegin Papoyan on filming the ironies of Stepanakert airport Posted on May 26, 2022 (August 17, 2022) by Sam Goff in Interview
  • Landscapes of Collective Fate: the political resonances of nature in Armenian cinema Posted on May 19, 2022 (September 23, 2022) by Sam Goff in Essay
  • Armenia’s Hemingway: the literary gifts and cinematic legacy of Hrant Matevosyan Posted on May 12, 2022 (August 17, 2022) by Sam Goff in Essay
  • Julia Blue’s Roxy Toporowych on wartime romance and the Ukrainian diaspora Posted on April 14, 2022 (January 12, 2023) by Sam Goff in Interview
  • Actor Yura Borisov on working with Kirill Serebrennikov and Covid-era shoots Posted on February 16, 2022 (August 17, 2022) by Sam Goff in Interview
  • Time’s Tricks: fantasy and reality in Kirill Serebrennikov’s Petrov’s Flu Posted on February 16, 2022 (July 27, 2022) by Sam Goff in Essay
  • How Soviet audiences fell in love with Sherlock Holmes Posted on December 30, 2021 (August 17, 2022) by Sam Goff in Essay
  • Lev Kuleshov: the man who taught Soviet film to change the world Posted on November 25, 2021 (August 17, 2022) by Sam Goff in Essay
  • Sakha Film: an interview with Dmitry Davydov Posted on November 4, 2021 (July 27, 2022) by Sam Goff in Interview
  • Sakha Film: the history of a post-Soviet cultural phenomenon Posted on October 21, 2021 (November 3, 2022) by Sam Goff in Essay
  • Sakha’s amateur film stars Zoya Popova and Stepan Petrov in their own words Posted on October 14, 2021 (January 12, 2023) by Sam Goff in Interview
  • Actor Maks Sukhanov on his career as Russia’s cinematic tough guy Posted on October 7, 2021 (August 17, 2022) by Sam Goff in Interview
  • Sergei Livnev on the wild 90s and returning to directing after 25 years Posted on August 31, 2021 (August 17, 2022) by Sam Goff in Interview
  • Ali Khamraev and the idea of the Soviet auteur Posted on August 24, 2021 (July 27, 2022) by Sam Goff in Essay
  • “Antonioni told me to sleep less”: Uzbek maestro Ali Khamraev on his unlikely career Posted on August 18, 2021 (August 17, 2022) by Sam Goff in Interview

Recent Posts

  • From the edge towards the centre: Goran Stolevski on his Balkan folk-horror hybrid You Won’t Be Alone
  • A well for the thirsty: folklore and decolonisation on the Ukrainian screen
  • The Watchlist: Ukrainian Poetic Cinema
  • Road to nowhere: Sergei Loznitsa and Russia’s wartime ghosts
  • Shengelaia at 90: personal reflections on a Georgian film icon

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    From the edge towards the centre: Goran Stolevski on his Balkan folk-horror hybrid You Won’t Be Alone
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